Johannes Schenck (1660–1712) was a Dutch composer and musician, primarily recognized for his contributions to the late Baroque period. He specialized in instrumental music and is noted for his work in the realm of chamber music and sonatas, often featuring string instruments. Schenck's notable works include "Sonate à 3," which showcases his intricate counterpoint and melodic invention, and "Sonate à 4," highlighting his ability to blend different instrumental timbres. He also composed a significant number of suites and concertos, with a style that reflects both the influence of Italian baroque and the emerging galant style. Schenck's music is characterized by its lyrical melodies, rich harmonies, and a sophisticated use of rhythm. While Schenck may not be as widely recognized as contemporaries like Vivaldi or Corelli, his contributions to the development of instrumental music in the early 18th century helped shape the transition from the Baroque to the Classical style. His works have been rediscovered and performed in modern times, emphasizing his role in the evolution of chamber music and the broader Baroque repertoire.